Vista previa del material en texto
ACKNOWLEDGMENTS This book was a delight to write, pushing me into fields where my intel- lect had to be quick, climbing across mixed-rock in a fluid dance, without protection. This project begin in shared presentations with Haskell Wexler on the Science of Story. Much thanks goes again to Kathleen Broyles for her editing and her delightful illustrations that provide insight and lightness in sometimes heavy surf. Richard Moore, the pastoral pro- fessor of white whales, pushed the concept of story into the arc of this work. The reader will be appreciative. The calligraphy figure in Chapter 4, Testing for Machine Consciousness, and the cover picture are my own. The cover petroglyph is of a shaman, one of many images on the hunting shrine at Big Arsenic Springs-in what President Obama designated as Rio Grande del Norte National Monument, a place I visit often as a Site Watch monitor for the State of New Mexico. The picture is taken as the sun crests the ridge, just days after the autumn equinox, when the image changes so quickly from moment to moment, that it leaps from the rock, almost alive. xi Acknowledgments