Which of the following authors and works are most relevant in the field of poetry?

· Rafael Alberti: His poetry is characterized by a great variety of themes, tones, and styles. We can highlight, from his neopopulist poetry, his first books, Marinero en tierra (1924). From his neogongorine and avant-garde stage: Cal y canto (1929). Surrealist poetry: Sobre los ángeles (1929). From his dramatic work, we can mention El adefesio (1944).
· Vicente Aleixandre: According to his worldview, his work is structured in three stages. Pure poetry: Espadas como labios (1930-1931) and Sombra del paraíso (1939-1943). Surrealist poetry: Historia del corazón, written between 1945 and 1953. Anthropocentric poetry: Poemas de la consumación (1968). He was a member of the R.A.E. and received the Nobel Prize in Literature in 1977.
· Dámaso Alonso: In him, his critical-teaching work is combined with research and poetic creation. From the latter, we highlight his book Hijos de la ira (1944).
· Manuel Altolaguirre: His poetry is endowed with great intimacy. We highlight Las islas invitadas (1926) and Poemas de América (1955).
· Luis Cernuda: He gathered his various books under the title La realidad y el deseo (definitive version in 1964).
· Gerardo Diego: His poetic work follows two simultaneous lines, the traditional and the avant-garde (Manual de espumas and Fábula de Equis y Zeda).
· Jorge Guillén: He is possibly the greatest representative of pure poetry, collected in these titles, each representing a poetic cycle: Cántico and Clamor, which are the face and the cross of reality.
· Federico García Lorca: His poetic work followed an evolution from the simplicity of his early poems, through the strength of Romancero gitano (1928), and reaching the avant-garde poetry of Poeta en Nueva York (1940). He also represents one of the peaks of Spanish and universal theater. His themes revolved around tragic destiny and frustration.
· Emilio Prados: His poetry encompassed both Andalusian neopopulism and surrealism. We highlight the titles Canción del farero (1926) and Memoria del olvido (1940).
· Pedro Salinas: Considered the poet of love par excellence, he wrote the love trilogy formed by La voz a ti debida (1933), Razón de amor (1936), and Largo lamento (1939).